Needs more love.
If you want to skip the below i'll simply say that it seems that it seems like it's still very much a work in progress. Lots of technology used and lots of it still needs refinement (and a bit more coin spent) to bring it up to either what they're selling in their TVC's or up to the standard it was at previously.
Main queue line hall is still very sparse - black walls where there was facades previously plus the same behind the scenes reel is still showing. If it's "next generation" i'm sure it's worth the money spent to put something new or additional on the screens because without much else to look at all eyeballs are on those screens. I suspect something unexpected happened there with the main hall facades and am guessing it'll return soon, so not a big deal.
Strobes are missing from load. Are they still there?
A lot of the dark ride component is as it was which is great to see - new facades do blend in well and it's hard to figure out what was actually old and new. Great job there.
First sign of newness are two gigantic screens in the dark ride section (not project mapping) with videos of the purple gargoyles trying to jump at you. It's fine but a bit meh for my liking. It's definitely missing something (like a facade to project map onto, methinks.)
Second newness you see happens as you approach the swinging swords - there's a giant green screen that sticks out like a sore thumb that's used for a big projection screen effect that succeeds the mirrors - essentially more purple gargoyles seem to appear from behind you and try and attack you. Again, it's okay but with a bit of love and refinement of the timing between cars and effects would mean you wouldn't see that green screen and the illusion wouldn't be ruined right off the bat. I think personally taking the super old school approach of something like a simple pepper's ghost effect would've been way more effective, but to each their own - at least in this situation it's an easy fix so not a big complaint from me, and if it can be improved upon and refined it'll be great.
TV Screens line the lift. Great idea, but needs way more love. One car (and i'd say only the front row of the front car) gets to see Scrappy, with the rest seeing two screens that are out of sync with the front screen's faux-rock wall graphics - meaning when the lift hill moves it's not only out of sync with what's physically happening but the screens are out of sync with each other. Again, just needs love to get right.
High zone (party room) is strange. The turntable is a...thing? Is it a mirror room now with kebab-shop LEDs? Is it a breaking mirror room because of the car entering it? Is it supposed to be a laser and i'm being zapped? It doesn't make sense and I don't get the story being told there. It's from here through to the end where I become really lost - one laser was working in the high zone but there was plenty of random props on the floor of the high zone. Just seems off. Cool strobey lights and effects for the drops along the track but neither seemed to be in sync when the train zoomed past. Again not a big deal, that'll take time to get right, so no complaints there, but the cool, epic track was missing (is it supposed to be playing?) and with one laser it just seems flat now. Not hard to get back to being super awesome, just needs someone with the right expertise to spend a bit more coin to bring it up its former glory.
The last scene with the faux drop has more projection screens. I much preferred the faux drop being hidden by plenty of haze and a laser cutting across. At this point there's been so many gargoyles randomly jumping out at you with the volume set to 11 that the novelty of the jump-scare has worn off. I'd maybe try something different, or fun, or novel, or something with the screens to round off the story.
Ends back in a Tiki room theme along the brakes with a jump scare at the end which I will admit I liked.
TLDR - I walked away kind of lost of words - i'm not sure I like it yet - it feels rushed. Is all hope lost? Nah, it's salvageable with some more love, which I hope it gets and it's what i'd like to see in the future - it's fine for the summer break, and then come February, having someone spend a bit more time getting the timing bang on, spending some time getting the screens (and some real project mapping) happening and even getting a specialist in to do the lasers right will make this ride epic.