@Levithian the park confirmed at some point that the refurb cost $1 million 

9 hours ago, Levithian said:

As opposed to it sitting as a stripped out shell?

Movie World for some reason were happy enough for it to sit there like that for as long as it did.  That's egregious enough, I'm not about to give them a free-kick by making that somehow the baseline for this project.

9 hours ago, Levithian said:

You are familiar with how advertising works right?

More than you'd think.  Your advertising has to be connected with reality though if you don't want people to feel ripped off.

9 hours ago, Levithian said:

They did everything they promised. It has been transformed. It has new technology, and whether you like them or not, the effects are improved. I think people are remembering what scooby was like in its prime, not what it was like when it closed initially to be gutted. Sets may have looked good but everything else was a mess and what effects hadnt been removed was very hit and miss.

Rubbish.  It hasn't been "completely transformed".  Getting it back to a condition that is similar to what it was like when it was new is not a transformation.  "New Technology" was not on the list of promises, and even if it were the use of it is sloppy, uninspired, and dated.  Tip: 'dated' is not a word you want to hear when people are talking about your use of new technology.  That Movie World allowed the ride to deteriorate to the point that it was internally a mess of barely-working effects does not move the baseline they set which was the condition on opening day.  You don't buy a Lamborghini, crash it around, not mechanically maintain it to the point that it stops running and then buy a Hyundai Excel and call it an upgrade.

9 hours ago, Levithian said:

infinitely better than the state of the ride the day it suddenly closed and was gutted. The fact it has working effects in multiple areas is a huge improvement than its ever been in the last decade.

I think this is where our views fundamentally differ.  Under your logic repainting a roller-coaster that hasn't been done in fifteen years would count as an upgrade.  Under mine it would count as maintenance/refurbishment.

9 hours ago, Levithian said:

Its arguably the best it has ever been

Yeah... I guess I'm old-school in that I believe that if you're going to tell the media you're going to be completely transforming the ride, taking people on a ride experience like never before, and changing the name of your ride to include the term "new generation" that you probably ought to be aiming a little higher than "arguably the best it has ever been".

1 hour ago, webslave said:

Yeah... I guess I'm old-school in that I believe that if you're going to tell the media you're going to be completely transforming the ride, taking people on a ride experience like never before, and changing the name of your ride to include the term "new generation" that you probably ought to be aiming a little higher than "arguably the best it has ever been".

I do think the marketing team got carried away on this one - it would have been better positioned as a mild retheme (Scooby-Doo Spooky Coaster: Scrappy's Revenge... or whatever). The new additions are good, but "next gen" is probably better used to describe Star Wars land, rather than adding a few projectors and flatscreens to an indoor mouse.

They also would have done well to hold off on the social media announcements until it was out of tech rehearsal, kind of a rookie mistake there...

Can't disagree with much of what you've said there @aaronm. It would be interesting to see what the original brief for the project was to know whether marketing went over the top or the project itself under-delivered.

Yeah I think @webslave has the right of it. I'd also suggest that a lot of this crap is a downgrade. I think everything about the execution of this upgrade from the sign out the from (The fuck even is that?) to the final scare is worse than what was there when the ride opened. When I talk about the evils of installing technology for technology's sake, this is exactly the sort of thing I'm talking about. The only thing I'll give it credit for is what it tries to do; it tries to tie the ride back to the movie more, so credit for that. But the laziness of the animation, how badly blended the screens are to their surroundings, the junk that's been added in there all take away from what they're going for. The animation is significantly worse than the move, which normally I wouldn't complain about but the movie is from 2002 and the effects weren't all that great back then.

Finally, the marketing for the ride just made promises not based in any kind of reality; we were promised projection mapping, we got screens. Of course that'll be disappointing for anyone who follows this sort of thing. Maybe the public won't notice as much but if you're following the stuff they were saying like fans were, then you'll know how much it doesn't deliver. Also you can't put an A-frame out the front that says 'Technical rehearsal' after the fact and think that makes everything OK. Where on the Facebook posts or on the website does it say 'Tech Rehearsal'?  Oh that's right it doesn't, it just says in multiple places it's open.

 

I hope it gets better, I hope the animation is improved, I hope that the levels get sorted, I hope the queue gets fixed and I hope marketing have learnt something. Ultimately, it's a downgrade, but the only reason I felt compelled to write anything about it at all is because of the apologists who come on here saying how wrong anyone is for feeling let down and how great MW are for putting the themeing back in. I'm sorry but this is objectively worse that what was there originally. Tech doesn't automatically make things better, particularly when it's as badly done as it is here. It's not unsalvageable but any means, and there's some decent creativity gone into it, but as it is it looks either lazy or very amateur.

It was mentioned before, but i'm hoping that the fact they 3D scanned the disco room means something else is coming - i wanna hope there's more to come, and they've just rushed it open to cater to the holidays.

If there's nothing more to do, it is great that it isn't a hollow shell anymore, but it is underwhelming.

I still stand by my earlier comments that a lot more work has gone into it than people are giving credit for, but i still hope there's more to come.

On 19/12/2018 at 12:53 AM, GoGoBoy said:

The ‘reflection’ of your car with the monsters chasing after it is awesome, very Haunted Mansion-esque;

I appreciate the ambition with that part, but the distance to the monsters didnt feel right at all, and at one point they're just clipping through the car. Hopefully they can fix that part up.

When I saw the animation on the POV’s on YouTube I immediately thought of this video, it’s animation is on par 😂

 

Edited December 20, 20187 yr by rac2703

9 hours ago, joz said:

 When I talk about the evils of installing technology for technology's sake, this is exactly the sort of thing I'm talking about.

I can't help but echo these sentiments. In terms of how well they have utilized the mediums, the 'next gen' screens and animations stand out as poorer quality than the original 3D set pieces and animatronics. The drop down monster actually gave me a jump scare as it has been so long since riding with effects that I forgot it was there, but that pitiful attempt at a scare at the end was just pathetic and out of place, I doubt it'd even scare small children that much.

If you don't have the budget to get the new tech done properly, you could have better spent your money improving the original effects. I can imagine with the money wasted on the screens they could have added extra lighting to spice up the original set pieces and scares in the haunted house section. They could have improved the smoke and lasers in the wild mouse section, maybe even still adding the cool lighting effects that we now have in that section. I think going for a 'next generation' approach when in reality you only have the money for a bit of a refurbishment was a bad idea.

It's not just smartarse enthusiasts who pick up on this stuff either. Most of the GP have an understanding of what makes good and bad animation quality through movies and video games. They also know a lot less about the challenges involved in making theme park attractions and won't take it into account when they evaluate their enjoyment of the experience. A friend of mine can attest to that, he was more disappointed with the screens than I was.

Lasers are now working !!!!

7 minutes ago, dylan_oregan said:

Lasers are now working !!!!

More details?? 

In the disco Room as shown in the advertising 

Yeah how many? Are they good? Are they noticeably different? Is there have? More info needed.

Great news if true! there were no lasers, no fog, no mist effects on opening day when i rode it 

Needs more love.

If you want to skip the below i'll simply say that it seems that it seems like it's still very much a work in progress. Lots of technology used and lots of it still needs refinement (and a bit more coin spent) to bring it up to either what they're selling in their TVC's or up to the standard it was at previously.

• Main queue line hall is still very sparse - black walls where there was facades previously plus the same behind the scenes reel is still showing. If it's "next generation" i'm sure it's worth the money spent to put something new or additional on the screens because without much else to look at all eyeballs are on those screens. I suspect something unexpected happened there with the main hall facades and am guessing it'll return soon, so not a big deal.
• Strobes are missing from load. Are they still there?
• A lot of the dark ride component is as it was which is great to see - new facades do blend in well and it's hard to figure out what was actually old and new. Great job there.
• First sign of newness are two gigantic screens in the dark ride section (not project mapping) with videos of the purple gargoyles trying to jump at you. It's fine but a bit meh for my liking. It's definitely missing something (like a facade to project map onto, methinks.)
• Second newness you see happens as you approach the swinging swords - there's a giant green screen that sticks out like a sore thumb that's used for a big projection screen effect that succeeds the mirrors - essentially more purple gargoyles seem to appear from behind you and try and attack you. Again, it's okay but with a bit of love and refinement of the timing between cars and effects would mean you wouldn't see that green screen and the illusion wouldn't be ruined right off the bat. I think personally taking the super old school approach of something like a  simple pepper's ghost effect would've been way more effective, but to each their own - at least in this situation it's an easy fix so not a big complaint from me, and if it can be improved upon and refined it'll be great.
• TV Screens line the lift. Great idea, but needs way more love. One car (and i'd say only the front row of the front car) gets to see Scrappy, with the rest seeing two screens that are out of sync with the front screen's faux-rock wall graphics - meaning when the lift hill moves it's not only out of sync with what's physically happening but the screens are out of sync with each other. Again, just needs love to get right.
• High zone (party room) is strange. The turntable is a...thing? Is it a mirror room now with kebab-shop LEDs? Is it a breaking mirror room because of the car entering it? Is it supposed to be a laser and i'm being zapped? It doesn't make sense and I don't get the story being told there. It's from here through to the end where I become really lost - one laser was working in the high zone but there was plenty of random props on the floor of the high zone. Just seems off. Cool strobey lights and effects for the drops along the track but neither seemed to be in sync when the train zoomed past. Again not a big deal, that'll take time to get right, so no complaints there, but the cool, epic track was missing (is it supposed to be playing?) and with one laser it just seems flat now. Not hard to get back to being super awesome, just needs someone with the right expertise to spend a bit more coin to bring it up its former glory.
• The last scene with the faux drop has more projection screens. I much preferred the faux drop being hidden by plenty of haze and a laser cutting across. At this point there's been so many gargoyles randomly jumping out at you with the volume set to 11 that the novelty of the jump-scare has worn off. I'd maybe try something different, or fun, or novel, or something with the screens to round off the story.
• Ends back in a Tiki room theme along the brakes with a jump scare at the end which I will admit I liked.

TLDR - I walked away kind of lost of words - i'm not sure I like it yet - it feels rushed. Is all hope lost? Nah, it's salvageable with some more love, which I hope it gets and it's what i'd like to see in the future - it's fine for the summer break, and then come February, having someone spend a bit more time getting the timing bang on, spending some time getting the screens (and some real project mapping) happening and even getting a specialist in to do the lasers right will make this ride epic.

Edited December 21, 20187 yr by Slick

I can’t believe they ripped out all the theming in the queue hall, surely they could’ve got that all sorted and replaced in time. 

From everyone’s comments it seems like there is currently only one moment of projection mapping. Is there definitely more and how well are they done?

Its a shame the shadow projected onto the wall of the mystery inc in the TVC isn’t a part of the ride, because that would be awesome (hopefully it is added)

The projection mapping at Australian Outback Spectacular is incredibly good!  I was hoping for something of that quality. 

2 hours ago, pushbutton said:

The projection mapping at Australian Outback Spectacular is incredibly good!  I was hoping for something of that quality. 

And that's the thing.

They got that so right at Outback Spectacular no doubt testing it between the previous shows and fine tuning it during the brief shut down. 

But with 5 months straight of closure they screwed it up so badly. That's assuming the one company did both facilities. 

That has been the problem at VRTP historically in that everyone worked in silos. They’ll say have a team of experts at Outback, yet at MW there will be a different group people ‘trying to figure something out’. 

Or they will use two totally different suppliers from the same industry at different properties. 

 

Hopefully those days are behind us. 

The above scenario sounds very familiar! Exactly what happened where I used to work. 

On 19/12/2018 at 11:31 AM, AlexB said:

How long did Scooby take to construct when it was first built? How much of that was actual track build, and how much was theming?

Warner Bros. Classics & The Great Gremlins Adventure closed in mid-2001 & Scooby-Doo Spooky Coaster opened on June 17 2002. So Scooby-Doo Spooky Coaster's installation took no longer than about a year.

This photo shows that theming and track installation were happening roughly around the same time however it's fair to say the track was installed before theming was added. This photo shows track installation took no longer than 4 months (February to June 2002) while this photo and this photo show the 'Spooky Castle' exterior theming alone took no more than a month and a half (Early April to late May 2002). All this should give an idea of how long it took to create/install the overall theming, though the duration depends on how many people were helping install the ride.

General Comment

Whilst I understand people's disappointment due to their exaggerated marketing, I'm amazed that so many theme park enthusiasts thought the ride would be completely new from start to finish when firstly, the exterior 'Spooky Castle' theming remained (that should imply the queue would be similar & the ghost train section would be fairly similar. After all, it is based on the movie - there were some parts of the ghost train they could add (such 'The Dinner Show') but most of the ghost train section from the movie was already there so there would be minimum change) and secondly, the trains were the same (they were in the new TV commercials too), which meant the ghost train section would be there, which I just detailed. Otherwise, why have 'Spooky Castle' and the same trains if they weren't going to travel through the ghost train section of the original ride? They were never going to stray from the movie's 'Spooky Castle' plot device (not to mention a fully-projection mapped ride would look unconvincing after a while) and I tried warning fellow forum members of this 2 years ago:

On 27/12/2016 at 7:03 PM, Jamberoo Fan said:

On 26/12/2016 at 5:13 PM, Glubbo said:

I hope they go with Mystery Incorporated - a more modern take albeit just as spooky/quirky as the previous versions.

On 27/12/2016 at 8:49 AM, Themeparkfan said:

I think  either it's a complete retheme or a fresh new Scooby storyline

It would be very difficult to do a Scooby Doo re-theme - it has to be based around Spooky Castle as that is the entrance to the ride and the carriages are the same as Spooky Castle's carriages. Unless MW changes the carriages (or re-themes them - I don't know how easy that is), it has to be themed to Spooky Castle.

So naturally, it would be the mostly-the-same 'ghost train' section with a few technical changes - mostly the touted projection mapping, which so far it is not and if it is, not applied well. Those technical changes though I'm waiting until they finish 'technical rehearsals' before making a final opinion on them. But one change that can be deemed 'finished' (in a way) is a change in narrative. The original ride's narrative was just trying to escape monsters inside the 'Spooky Castle' ghost train. You then try to find a scared Scooby-Doo who has escaped up into a disco up on ground level in the 'Spooky Island' theme park. After you escaped the 'ghost train' though and found Scooby-Doo, you 'fall' back into the 'Spooky Castle' ghost train but quickly find a safe way out to go back into the 'Spooky Island' theme park.

My theory (due to technical rehearsals still ongoing) on the narrative of the new edition is below:

 

It seems you are in the 'Spooky Castle' ghost train, which is being overtaken by 'demons'. As you can read in my detailed theory to @Slick below, at some point you are 'possessed' by one of the demons as your 'soul' is taken from you. You enter a cave (bottom of the elevator) where you see Scrappy-Doo briefly turned into a monster using you and other people's 'souls' but Shaggy removes the device allowing Scrappy to be like this (seen at the top of the elevator), thus reverting Scrappy-Doo to his initial state. The 'demons' possessing you and your group then escape during the backwards drop and in the new room housing the turntable is when you and your 'demon' first see sunlight reflecting from the hidden skull-shaped disco ball. The slow destruction of the 'demons' and 'souls' travelling around are reflected in the former 'disco room' through mist, lights, sounds and projections. When you leave the former 'disco room', you see the 'demons' seeing the skull-shaped disco ball and are finally fully destroyed. Their destruction pushes you out of the cave and into the 'Tiki Doll Lounge' of the 'Spooky Island' theme park but you immediately re-enter the 'Spooky Castle' ghost train, which you quickly leave again and go back into the 'Spooky Island' theme park.

The narrative is quite complex now and VRTP need to do a lot more work in order to make it work. It doesn't follow the order in the movie but can still make sense if the technology is there and applied well. In technical rehearsals so far though, it seems quite a few things are currently left unexplained. I haven't watched the movie in a while but from what I can tell from YouTube videos, it doesn't help the ride that the actual movie doesn't explain how a 'demon' possesses you. Their green breath is just shown as the 1st step in the process.

The ride is now themed mostly to the climatic scene of the movie, though not in chronological order, so spoiler alert:

 

On 21/12/2018 at 10:55 PM, Slick said:

The turntable is a...thing? Is it a mirror room now with kebab-shop LEDs? Is it a breaking mirror room because of the car entering it? Is it supposed to be a laser and i'm being zapped? It doesn't make sense and I don't get the story being told there.

This is just a theory based on the movie:

The turntable has a glass breaking noise, which is the noise that occurs when the 'demons' are destroyed by sunlight. Assuming the ride is still under technical rehearsals, I assume, at some point earlier in the ride, there would be a green mist when you see one of the 'demons' breath on you. You travel through the mist causing you to be 'possessed' by a 'demon'. During the backwards drop, I assume is when the 'demons' 'escape' from you (for some reason, you can't see the 'demon' 'escape' you at this point but this could be the rumoured projection mapping at this point). Someone referred to the 'protoplasm vat' being on the former 'disco room''s floor, which I assume will be in a 'tipped over' position to reflect the film. The 'souls' escaping from the 'protoplasm vat' and Scrappy-Doo are to be represented throughout the former 'disco room' as mist and projections onto the mist. When you enter the new room housing the turntable, this is when the first sunlight from the skull-shaped disco ball (seen later in the ride) is seen affecting the recently escaped 'demons'. The 'reflections' from the skull are also represented throughout the former 'disco room' as light beams etc. When you leave the former 'disco room', you see the 'demons' that have escaped from you and they are destroyed by sunlight reflected off the skull-shaped disco ball, which is finally now seen.

Edited December 22, 20187 yr by Jamberoo Fan
Fixing spoiler tags

I expected the ride to be what it is now storyline wise. They said it was taking more aspects from the movie, so I expected more demons. Just from what I’ve seen online, the execution was poor. I think what they’ve done are great additions, just needed to be done to a better standard.

Wow! I had no idea about most of that storyline! 

One thing that could help is if the video shown on the screens in the queue explained the parts of the story in the movie that relate to the above new parts in the ride!

Been told by a ride operator that the ride isn’t finished, and they were quite far behind on the schedule. They’ve reopened because of the Christmas period, but it will close again next year for maintenance to finish it off

I reckon youll find that refers to the queue hall being stripped, and i wouldnt be surprised if it takes longer to be repaired. Its a big area with a lot of either created or molded pieces, so i wouldnt be surprised if it needs another 150-200k spent just on this room.

Unless the company finds a pot of gold over the rainbow (maybe aquaman will blow the doors off), it would be like trying to get blood from a stone for a big spend during the final financial quarter. Maybe next year if its one of the first budgeted items to be approved. 

Edited December 23, 20187 yr by Levithian